roadside attraction gravity falls full episodes

It makes things like knowing that he’s been divorced that much more affecting (unless they’re talking about that horrifying prospector animatronic from ‘Soos and the Real Girl,’ in which case: no), and it creates a surprisingly easy connection between Stan’s fraught, tumultuous inner life and the crazy emotional swings of Dipper’s teenage existence. Moving Stan more to the forefront of the show has paid off well for Gravity Falls. Creator Alex Hirsch is unafraid to make Stan pitiful, heroic, gross, vulnerable, or tender-hearted not as the situation demands but as Stan’s complex characterization dictates. The corn maze is particularly affecting, even when its boundless bleakness is used for humor.ĭipper and Stan bonding, first over smooth-talking women and later over admitting that they don’t really know what they’re doing, feels like growth in what could easily be a stale relationship. The episode is bursting with memorable locations. Darlene’s transformation from spider-taur to full-blown nightmare is seamless, horrifying, and engrossing in its depth of detail. From the comfortable mess of the RV park to the foreboding shot of Mystery Mountain, everything is a strange combination of believable and fantastical. ‘Roadside Attraction’ is fully as beautiful as its predecessor, ‘The Last Mabelcorn,’ but it aims less for splashy visions and hallucinogenic palettes and more for the gorgeously detailed Oregon backgrounds which have always been a quiet feather in the show’s cap. The presentation of the character comes off as rushed and flat. The attractions themselves, an upside-down house, a giant ball of yarn, and a cursed mountain full of spider-drained mummies, are fun, but the little old lady who maintains the yarn ball doesn’t really land as the meme the show wants her to be. The road trip helps to keep things light, using Stan’s grudge against other purveyors of the titular roadside attractions to bring the characters out of their comfort zones and into a looser, more experimental space. Women aren’t prizes (or prey), they’re people with complex inner lives and feelings of their own. The episode handles its subject matter deftly and without engaging in ponderous moralizing, relying on Dipper’s growing discomfort and then the sublimation of fear provided by Darlene’s transformation into a literal man-eater to get its message across.

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Roadside attraction gravity falls full episodes